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1. Faulty Towers The Dining Experience- Radisson Blu Edwardian Bloomsbury, ven, 31 gen 2020 - dom, 3 mag 2020
da 93,20 €
2. The Prince of Egypt- Dominion Theatre, mer, 5 feb 2020 - sab, 12 set 2020
da 73,50 €
3. Michael Keegan-Dolan - Teac Damsa - MAM- Sadler's Wells, mer, 5 feb 2020 - ven, 7 feb 2020
da 24,60 €
4. Luisa Miller- Coliseum Theatre, mer, 12 feb 2020 - ven, 6 mar 2020
da 30,90 €
5. Opera Undone- Trafalgar Studio Two, mer, 5 feb 2020 - sab, 7 mar 2020
da 30,90 €
6. Eric & Ern- Duke of York's Theatre, dom, 2 feb 2020 - dom, 9 feb 2020
da 24,60 €
7. Musik- Leicester Square Theatre, mer, 5 feb 2020 - dom, 1 mar 2020
da 50,40 €
8. Pass Over- Kiln Theatre, gio, 13 feb 2020 - sab, 21 mar 2020
da 22,80 €
9. Pretty Woman: il musical!- Piccadilly Theatre, ven, 14 feb 2020 - sab, 2 gen 2021
da 181,80 €
10. The Gift- Theatre Royal Stratford East, gio, 30 gen 2020 - sab, 15 feb 2020
da 31,40 €
Questo prodotto è così nuovo che non abbiamo ancora una traduzione in italiano, ma puoi tranquillamente prenotare senza problemi.
Ben Elton brings his critically acclaimed and much adored BBC sitcom UPSTART CROW to its natural home, the stage, with an all-new comic play set to delight London’s West End. Starring David Mitchell, once more donning the bald wig and bardish coddling pouch in his iconic characterisation of Will Shakespeare and Gemma Whelan as the sweet and fragrant Kate.
Cosa posso aspettarmi?
‘Tis 1605 and England’s greatest playwright is in trouble. Will Shakespeare has produced just two plays; Measure for Measure, which according to King James was incomprehensible bollingbrokes by any measure, and All’s Well That End’s Well which didn’t even end well.
Will desperately needs to maketh a brilliant new play to bolster his reputation and avoid being cast aside by King and country. But Will’s personal life is encountering more dramatic twists and turns than any theatrical story he can conjure. How the futtock can a Bard be expected to find a plot for a play whilst his daughters run amok and his house is used as refuge for any old waif and stray.
As time runs out, can Will hold on to his dream of being recognised now and for all time, as indisputably the greatest writer that ever lived, or will family woes thwart Will’s chances of producing his masterwork?