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Più di tre milioni e mezzo di biglietti venduti
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1. Anne Teresa De Keersmaker / Rosa & B'Rock Orchestra - The Six Brandenburg Concertos- Sadler's Wells, mer, 6 mag 2020 - gio, 7 mag 2020
da 24,60 €
2. 101 Dalmatians- Regent's Park Open Air Theatre, sab, 16 mag 2020 - dom, 21 giu 2020
da 33,90 €
3. Hairspray- Coliseum Theatre, gio, 23 apr 2020 - sab, 29 ago 2020
da 30,90 €
4. A Museum in Baghdad- Kiln Theatre, mer, 22 apr 2020 - sab, 23 mag 2020
da 22,80 €
5. Northern Ballet - Geisha- Sadler's Wells, mar, 21 apr 2020 - sab, 25 apr 2020
da 24,60 €
6. Monday Favourites - Maiya Quansah-Breed- The Other Palace, lun, 20 apr 2020
da 50,40 €
7. Antigone - The Burial at Thebes- Lyric Hammersmith Theatre, lun, 20 apr 2020 - sab, 16 mag 2020
da 16,90 €
8. The Doctor- Duke of York's Theatre, lun, 20 apr 2020 - sab, 18 lug 2020
da 36,40 €
9. Enter Achilles- Sadler's Wells, mar, 26 mag 2020 - sab, 6 giu 2020
da 24,60 €
10. Welcome to Iran- Theatre Royal Stratford East, sab, 18 apr 2020 - sab, 16 mag 2020
da 34,50 €
Questo prodotto è così nuovo che non abbiamo ancora una traduzione in italiano, ma puoi tranquillamente prenotare senza problemi.
Following sold-out runs at both Chichester Festival Theatre and the Menier Chocolate Factory, Laura Wade’s The Watsons transfers to the West End in 2020. Directed by Samuel West, The Watsons played to critical acclaim at Chichester Festival Theatre in 2018 and at the Menier in 2019.
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“Laura Wade triumphs spinning Jane Austen into major theatrical gold.” - Variety
“Excellent. Jane Austen has never been quite so much fun.” - The Times
Directed by Samuel West, The Watsons played to critical acclaim at Chichester Festival Theatre in 2018, and completes its run at the Menier this Saturday, 16 November.
Nineteen and new in town, Emma Watson’s been cut off by her wealthy aunt. She needs to marry, and fast, or be faced with a life of poverty and spinsterhood stuck in her humdrum family home. Luckily, she has plenty of prospective suitors asking to dance, from dashing socialite Tom Musgrave to the stinking rich, socially awkward Lord Osborne. Which partner to pick?
So far, so familiar, but that’s when Jane Austen stopped writing. Two hundred years on, her forgotten heroine’s happy ending still hangs in the balance. Picking up an unfinished novel, Olivier Award-winner Laura Wade’s ‘ingenious and triumphant’ (Evening Standard) new comedy pops the bonnet on Jane Austen’s worldand asks: what happens when a writer loses the plot and fictional characters take control of their tale?